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Daisy Lafarge

Pink hawthorn

Shadows of birds moving over me, Marcel 
sucks on himself like a childmint.

I walk on the grass next to the path 
litter-picking wrappers marked Albertine. 

Every rheumatic knows the spoiled grass 
is an aisle for dogs and bad joints, 

spongy and tolerable. Knees bobbing, 
I dodge the little turds as I go. My thoughts 

are crass as genetruthers, trucking in gaudy 
sensations like nostalgia for mud 

and pig consciousness. Soon the dogs 
come sniffing at my sensibility hole –

those childmints are irresistible. 
Dogs and rheumatics smell them

on my breath. My bad knee says 
we were once diagnosed with a father, 

so isn’t everything a symptom in waiting?
My other bad knee snaps and sings:

the clover is the one who cleaves,
the clover is the lover who leaves.

Stinking of pink hawthorn I quite 
literally make myself sick. Stashing

the Albertine wrappers 
for an essay I shouldn’t write,

on ‘selfish’ as the -ish
of an approximation, as in

the self-ishness of a hedgerow
that gets confused with your thoughts

as you think them, and is now
forever creampied as a receptacle 

of obsession. Any hole’s a goal 
was my initiation in the theory of presence.

Bridges mount the path like a poorly 
executed hookup, lopsided as cheese. 

It begs the question: What is a nice 
infrastructure like you 

doing all alone all the way out here? 
There is some water, I can’t describe it,  

water is its description. I fail
to smile at the cyclists,

I fail to describe the water. 
I am a traitor to identity’s ditty. 

Marcel prefers the pink 
to the white. As with mayflowers,

freckles and cream cheese, so with fillettes. 
Like that time I found beetle larvae 

sucking on the biscuits spilled 
from my cat’s bowl, sleek and brown 

as hairclips, and later saw them by the litter 
box, feeding on a speck of dried shit. 

They were eating her from both ends,
the pink hawthorn and the white, 

and I wondered which 
they preferred? Since everything

is entitled to a favourite – 
that’s ethics. O my knees. 

Wholly sensibility. I cross my throat
and sin with my eyes. 

author bio
issue eight

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